You are watching: Alliteration in beowulf with line numbers
The first thing I must tell you is that you need to read it currently. No, I do not treatment if you"ve check out Beowulf (the original) prior to. No, I don"t treatment if you loved it/hated it, if it traumatized you, if it ruined and/or energized the English language for you, or damaged you for translations or whatever before. I don"t care what you think of once you think of Beowulf in any type of of its numerous various other translations because this — this — version, Headley"s variation, is an completely various point. It is its own thing. A amazing thing that most likely shouldn"t also exist, other than that it does.
It is Beowulf, largely. Beowulf, kinda. It is Beowulf dvery own to the line numbers, and also tells the story of Beowulf and Hrothgar and Grendel and also Grendel"s mommy and also the dragon and also Wiglaf and every little thing.
Except that Headley has actually made it modern, not in develop or style or content, but in temperament. In language. "Language is a living point," she writes in her arrival. "And as soon as it dies, it leaves bones. I dropped some fossils here, next to some newborns. I"m as interested in modern idiom and also slang as I am in the archaic. Tright here are other translations if you"re in search of the courtly romance and also knights."
Truth: Beowulf would"ve been a vanity job if it wasn"t written by Headley, and if Headley hadn"t made a splash ago in 2018 with The Mere Wife which was, in itself, a reinforming of Beowulf set in 21st century suburbia and also concentrating (greatly, however not exclusively) on Grendel"s mom. It would"ve been a thesis. An scholastic passion job read by no one however Beowulf nerds, loved or hated practically in a vacuum.
Instead, Headley"s Beowulf is a big release — disputed, questioned, talked around (as it must be) because it has actually everything: Love, sex, murder, magic, dungeons, dragons, giants, monsters. It spills blood by the bucket and also gore by the gallon, makes heroes, slays villains and also serves as an instruction hands-on for toxic masculinity, circa 700 AD.
Bro! Tell me we still know just how to
talk around kings! In the old days,
everyone knew what men were:
brave, bold, glory-bound. Only
stories now, yet I"ll sound the
Spear-Danes" song, hoarded for
Yeah, she starts it all through "Bro."
I mean, that"s ridiculous. And brilliant. And genius-level washed-up barstool-hero trolling all at the same time. "Bro" to take the location of Behold! and Lo! and What ho! because Behold! and also Lo! and also (especially) What ho! are all silly and stilted and also stupid and also carry out not — not a single one of them — have actually the social heft and also emotional dwarfism and also Bud Light swagger of "Bro," because "Bro" is the braggart"s call, the throat-clearing of someone who wasn"t, you know, there, but heard around it from some dude that entirely was.
It is thousand-year-old slam poetry, "Hamilton" for the Geats and also Skyldings — complete of blood and also honor, inside jokes and also historic digressions.
And THAT is the emotional level at which Beowulf functions. Has always operated, really, but absolutely functions in Headley"s newest version. It is bragging. It is urban legfinish. It is that male that as soon as threw three touchdowns versus State informing the story again — five beers deep on a Tuesday night — prior to hey-buddy-ing the bartender for his sixth.
That"s what Beowulf always was. An epic poem made to be shouted over the howls of mead-drunk Spear-Danes as they toast the fallen and also lovingly punch each various other to sleep. It is thousand-year-old slam poetry, Hamilton for the Geats and also Skyldings — complete of blood and also honor, inside jokes and historic digressions.
Headley takes liberties. She has reasons (and explains them in an extensive intro) and she has actually the appropriate (having actually studied Beowulf as closely as anyone), and so she tinkers through focus and through the weight provided to smaller personalities (Unferth going toe-to-toe via Beowulf, trying to put the lie to the tales already told of him, becomes one of the poem"s most memorable scenes — an epic mead-hall rap battle), and also re-humanizes Grendel"s mom right into a grief-stricken mom demanding a blood-debt for her murdered boy. Monstrous, yes. But no longer a monster.
It rolls. It demands to be spoken, to be shouted and also spat. To be taught as the point that it is — the Marvel movie of its time.
Which is all fine. Which is all as it must be. Since there is no real Beowulf. Not anyeven more. It has actually been interpreted and re-translated. Academics have actually tussled through the language for ages. Even the original (not the original-original, yet the original record upon which all various other translations are based) was a team job. Two scribes, functioning via the 3,182 lines together, fighting each other in the margins, crossing out each other"s words and also replacing them.
So Headley"s variation (translation? transcription?) is just as actual and also twice as essential ideal currently as any kind of various other. It sings directly via, the alliteration and also temper of it invigorating (as it should be) and also roaring (as it must be), favor Beowulf, introducing himself to Hrothgar:
I"m the strongest and also the boldest,
and also the bravest and the best.
Yes: I mean — I may have actually bathed in
the blood of beasts,
netted five foul ogres at as soon as,
smaburned my means into a troll den
and also come out swinging, gone
skinny-dipping in a resting sea
and made sashimi of some sea monsters.
Anyone who f***s via the Geats? Bro,
they need to f*** with me.
It rolls. It requirements to be spoken, to be shouted and spat. To be taught as the thing that it is — the Marvel movie of its time.
I constantly favored Beowulf a tiny for what it was: history, foundational myth, epic poem of swords and also dragons, source product for paintings on the sides of vans. But Maria Headley"s Beowulf I love for exactly what it is: a psychotic song of gold and blood, stylish as hell, nasty and also brutish and funny as a whole, mad and poor and sad and also alive now in a means that these words sindicate haven"t been for more than a thousand years.
Jachild Sheehan knows stuff about food, video games, publications and also Starblazers. He is currently the restaurant movie critic at Philadelphia magazine, but when no one is looking, he spends his time writing publications around gigantic robots and also ray weapons.
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Tales From the Radiation Age is his latest book.