One of many moments of foreshadowing in the play is in act 1, scene 4, when Romeo"s friends are wanting him to go to the Capulet"s ball. In lines 113-120, Romeo expresses that he fears the party is a stepping stone to what will certainly be his untimely death. Of course, his words are foreshadowing the tragic finish of his partnership via Juliet, whom he meets at the Capulet"s party.

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Shakespeare"s Romeo and also Juliet does not begin through foreshadowing, however through foretelling.

CHORUS. ...From forth the fatal loins of these two foesA pair of star-cross"d lovers take their life;Whose misadventur"d piteous overthrowsDoth, via their death, bury their parents’ strife. (Prologue, 5-8)

The Chorus ...

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Shakespeare"s Romeo and also Juliet does not begin via foreshadowing, but with foretelling.

CHORUS. ...From forth the fatal loins of these two foesA pair of star-cross"d lovers take their life;Whose misadventur"d piteous overthrowsDoth, through their death, bury their parents’ strife. (Prologue, 5-8)

The Chorus tells the audience what"s ultimately going to take place. There"s no mystery around that. What the audience doesn"t recognize is how it"s going to take place, or if anything else unpertained to the "star-cross"d" lovers" deaths could happen alengthy the means.

However, Shakespeare does maneras to infusage a small bit of foreshadowing into the Chorus"s foreinforming of the end of the play.

CHORUS. A pair of star-cross"d lovers take their life... (Prologue 5)

This is a really subtle play on words, the definition of which becomes clear just when Romeo and also Juliet take their own lives—if anybody actually remembers what the Chorus sassist in the fifth line of the play while they"re watching Romeo and also Juliet kill themselves "two hours" later on.

With this Prologue, Shakespeare sets up fairly a challenge for himself. Because he tells the audience what happens at the end of the story, Shakespeare hregarding write a really great play to keep the audience"s interemainder, specifically because the fundamental story of Romeo and also Juliet was well-known to his audience.

Tright here had actually been 3 sensibly current publications of the story of Romeo and Juliet, consisting of Arthur Brooke’s narrative poem, The Tragispeak to Historye of Romeus and Juliet, publimelted in 1562—which scholars consider the major source of Shakespeare"s play—as well as Giuletta e Romeo, by Matteo Bandello, publiburned in 1554, and Luigi da Porto’s Giulietta e Romeo, published in 1530. Other theatre carriers in London were additionally performing their own versions of the Romeo and Juliet story.

Nevertheless, the question arises that if the audience knows what"s ultimately going to occur, is the foreshadowing in the play really foreshadowing, or is it simply a reminder of what the audience has actually currently been told?

Most of the faux-foreshadowing in the play entails the deaths of Romeo and Juliet, but even what appears choose foreshadowing of occasions affecting other personalities really isn"t.

In act 3, scene 1, Benvolio alerts Mercutio that that they need to gain out of the roads to prevent meeting any kind of Capulets:

BENVOLIO. I pray thee, good Mercutio, let"s retire.The day is warm, the Capulets abroad.And if we meet, we shall not scape a brawl... (3.1.1-3)

Tright here is a brawl, of course—which comes as no actual surprise to anybody—in which Mercutio is killed by Tybalt, and Tybalt is killed by Romeo,

Tybalt seems to have actually foreshadowed this unfortunate rotate of occasions at the Capulet"s feast in act 1, scene 5, as soon as Lord Capulet tells Tybalt sindicate to endure Romeo"s presence, and also not reason any type of trouble.

TYBALT. Patience perforce through wilful choler meetingMakes my flesh tremble in their various greeting.I will withdraw; but this intrusion shall,Now seeming sweet, convert to bitt"rest gall. (1.5.94-97)

The confrontation between and also among Tybalt, Mercutio, and Romeo was inescapable, and also Tybalt simply foretold that somepoint poor was going to occur, which it did. The audience could not have actually foreviewed the extent to which something bad was going to occur, but they absolutely kbrand-new that something negative would happen.

The case is much the very same as in Hamlet, after Hamlet tells Horatio what the gorganize of his father shelp to him.

HAMLET. There"s ne"er a villain dwelling in all DenmarkBut he"s an arrant knave.

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HORATIO. Tright here demands no gorganize, my lord, come from the graveTo tell us this. (1.5.134-138)

Foreshadowing isn"t foreshadowing if the audience knows what"s going to occur, or if what happens—like a significant confrontation in the street in between sword-delivering significant personalities from warring families—deserve to easily be foreviewed.